Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Pontormo
Joseph with Jacob in Egypt

ID: 43005

Pontormo Joseph with Jacob in Egypt
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Pontormo Joseph with Jacob in Egypt


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Pontormo

Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.   Related Paintings of Pontormo :. | Martyrdom of St Maurice and the Theban Legion | Holy Family | Pharaoh Pardons the Butler and Ordes the Execution of the Baker | The Visitation (nn03) | Hl. Johannes Evangelist, Fragment |
Related Artists:
Salomon van Ruysdael
Salomon van Ruysdael (c. 1602, Naarden - buried Nov 3, 1670, Haarlem) was a Dutch landscape painter. He was the uncle of Jacob van Ruisdael.
Federico Faruffini
Italian, 1831-1869
Jean-Baptiste Santerre
French Baroque Era Painter, 1651-1717 The 12th child of a merchant, he was apprenticed to the portrait painter Jean Lemaire before entering the busy studio of the history painter Bon Boullogne. Although he executed some history paintings, he began to specialize in portraiture early in his career. The Portrait of Two Actresses (1699; St Petersburg, Hermitage), clearly influenced by Fran?ois de Troy, shows Santerre's interest in the well-known portrait painters of his time. Nevertheless, he was among the first painters in France to absorb the influence of Rembrandt, as in Young Girl at a Window (Orl?ans, Mus. B.-A.; after Rembrandt, London, Dulwich Pict. Gal.). In such portraits as Girl with a Veil






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